My husband loves TV. I love TV. The problem I have with TV is that if one is on in the same room with me, I get sucked in to the point that I can't get anything else done. That, or I read/blog/infotain myself. Being productive, not so much an option.
Fortunately, there's a lot of really good TV out there. One of my favorites lately is Covert Affairs. It's a spy show, and I liked it from the beginning, but the characters and their interactions are getting to be so rich and feel so real lately. I almost wonder if they've brought in new writers, or if the writers are simply trying to really push themselves.
As is typical of first seasons, the main character, Annie, doesn't have any real, serious consequences to deal with in the first season. She's also a newbie and it's clear that, while she's doing a good job, she's not really being given the tough jobs just yet. When she ends up with a tough job (sorry, no details--it's been too long since I watched season 1!) it's because she happened into it, not because she was assigned the difficult job.
Last season (which I think is season 2) Annie told her sister she worked for the CIA (which always makes the character who is being told this "big secret" distrust the operative--I'm never sure why, other than it's expected for the plot); she fell in love with another spy, which had serious consequences for her emotionally and led to her nearly leaving the CIA until she and boyfriend were shot; and then went after and killed the woman who killed Annie's lover, who also happened to be Annie's former boss. It was an eventful season.
This season's working up to being even darker and more consequence-plagued. Annie has to regain the respect and trust of her former boss, all while she's having a hard time toeing the line. It's fun watching Annie grow into a very powerful woman, watching her make mistakes and work through them, and poignant seeing her dealing with the drama of the almost parental relationship she has with Joan, her first boss. There's a lot going on, and a lot to learn about making consequences that feel real. So, to make myself feel better for what otherwise would simply be goofing off, here's a goal for my own writing: give my main character an believable emotional consequence for a mistake she makes that doesn't go away immediately, and in fact has some longer-term consequences relevant to the plot.
There, now I can feel good about my TV time!